Bad Intentions | 17.11.17 – 23.12.17

Art is not mimetic. Art is not ‘about’ stuff. Art has no role. Art does not ‘ask questions’. People might do those things, sometimes even people who are artists. But not their art, even if they think it does, even if that was their intention.

Were one to be dramatic, they would decree art the pre-Tower-of-Babel mother tongue (thus terming it ‘autonomous’ misses its essence as all-encompassing source), and politics not even one letter within it. They would point out an iceberg that, in contemporary discourse, had thus been forced to balance on its tip. A dangerous balance indeed. But for now, let’s pretend that all we’re saying is that art and politics are simply two different languages, a distinction too often forgotten in the aforementioned discourse.

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Noble Surface – C1’s Exhibition in Collaboration with Eigen+Art Lab presenting Amelie Grözinger and Alex Lebus | 31.5.2017 – 29.7.2017

Lebus_Innere_Kratzung_leuchtorange (1)Noble Surface is an exhibition of CIRCLE1 Gallery in collaboration with Eigen+Art Lab, presenting the artists Amelie Grözinger and Alex Lebus.

When asked in an interview about the construction of reality and how to deal with it, philosopher and physician Heinz von Foerster answered: “Where is reality? Can you show it to me?”

Likewise Amelie Grözinger and Alex Lebus, two artists living in Berlin, question “reality” in their exhibition Noble Surface, which cannot be defined as such and manifests itself in the possibilities of different realities. Continue reading

Exhibition View: Sing While You’re Burning – Restless Painting from Israel | 1.4.17 – 20.5.17

2Some images of our exhibition Sing While You’re Burning – Restless Painting from Israel, a group exhibition with Shai Azoulay, Guy Ben Ari, Boyan, Ofir Dor, Bar Dvir, Liat Erdberg, Moshe Gershon, Elad Larom, Marik Lechner, Rona Perlman, Rotem Rozenboim and Netally Schlosser. Curated by Ofir Dor

Photos by Yoonhee Kim

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Dana Yoeli – Fichte / Ashuchit | 1.7.16 – 30.7.16

47ac3daa-e0e6-4f2e-9929-6a8d6df903f1The subject of memory stands at the heart of Dana Yoeli‘s profoundly personal yet universal work. Memory, by nature, is illusory and intangible. Nevertheless, Yoeli chooses it as her subject and transforms it into substance, into physical matter.  She fluctuates between nature and artifice, documentation and fabrication, life and taxidermy.

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